Katrina Andry (b. 1981, New Orleans, LA, USA) challenges the ideology of individualism by examining the inequalities and resulting degradation created by our color-based prejudices. She argues the belief in individualism allows Americans to turn a blind eye to inequality, suggesting barriers to well-being lie with the individual and not also within our social structures in spite of competing documentation of the collective experiences and outcomes of disfavored groups. Katrina Andry (b. 1981, New Orleans, LA, USA) challenges the ideology of individualism by examining the inequalities and resulting degradation created by our color-based prejudices. She argues the belief in individualism allows Americans to turn a blind eye to inequality, suggesting barriers to well-being lie with the individual and not also within our social structures in spite of competing documentation of the collective experiences and outcomes of disfavored groups.

Andry holds a Master of Fine Arts (MFA) degree in Printmaking from Louisiana State University in Baton Rouge, Louisiana. She has participated in exhibitions at the New Orleans Museum of Art, The Ogden Museum of Southern Art, the Katonah Museum of Art in Katonah, NY, and the Marc Straus Gallery in New York, NY. She has also had solo exhibitions at The Halsey Institute in Charleston, SC, and the Hammonds House Museum in Atlanta, GA. In 2021, Andry was a featured artist in Prospect 5, a significant triennial event spanning various venues in New Orleans, garnering recognition in the New York Times.

Andry's contributions to the world of printmaking earned her a spot in the September 2012 issue of Art in Print magazine as one of the top 50 printmakers. Her work is prominently featured in esteemed collections and institutions such as the 21C Museum in Saint Louis, MO, the Petrucci Family Foundation in Asbury, NJ, the New Orleans Museum of Art, and the Ogden Museum of Southern Art in New Orleans, LA. Additionally, she has received numerous grants and has been featured in notable publications, including a recent interview in Bomb Magazine